This little tale was written quite some time
ago, but held back so as to have something substantial and unpublished
available in the event of being offered a single author anthology. That
possibility now seems somewhat diminished, and so it might as well see the
light of day here. It was always one of my favourites.
Approximate reading time: 30 minutes.
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Red and green should never be seen.
That old maxim is
usually trotted out by people who think they know more about the finer points
of colour compatibility than they really do. Those who truly understand the nature
of colour rarely make such sweeping statements. Life isn’t that simple, and there
are too many exceptions to disprove the rule.
Picture
Christmas, when the world is awash with red and green. Red Santas, red candles
and red berries sit in splendid harmony with green trees and holly leaves. They
are the most prolific colours in the western world’s most prolifically visual
celebration. By the same token, there can’t be many sights more beautiful than splashes
of blood-red poppies dabbed among the light green freshness of a young barley
field. So, if it’s OK with nature and time-honoured tradition, the combination
can’t be all that bad.
The objection has
some justification, however. The two primaries are on opposite sides of the
colour wheel, and it’s a widely accepted principle that opposites tend not to
sit easily with one another. They make powerful combinations and their marriage
can be successful or disastrous depending on the nuances of tone, scale and
distribution.
Personally, I
dislike the combination of red and green, and I have a particular reason for
feeling that way. I don’t retract my argument in its defence one jot, it’s just
that seeing them together evokes bad memories. I have particular sympathy with
the view that red haired people shouldn’t wear green clothes. It was how my profound
dislike of combining red and green first began, twenty years ago on a deserted London
Underground station.
It started
there, but it didn’t end with a single bad experience. It echoed twice down the
years and I really don’t know whether there’s more to come. I hope there isn’t.
I hope it’s over now. For now I know what it feels like to believe myself
responsible for the death of an innocent person and bear the weight of
unassuageable guilt. Some things are simply irreversible, like tearing a piece
of paper or cutting a flower. And that fact finds its ultimate expression in
the causing of someone’s death, for it’s the one that carries the greatest
consequence. Death is final; there’s nothing you can do to make amends.
* * *
Twenty years ago
I was living in north London
and did all my travelling in the centre of the city by tube. It was easier than
driving, cheaper than taxis and quicker than taking the bus. One night in early
February I had been out with friends and walked to Embankment station to catch
the last train going north on the Northern Line. As I arrived on the platform
the penultimate train of the day was just pulling out. I looked up at the board.
It said Next train: Edgware: Ten minutes.
I went and settled myself on one of the benches and idly browsed the same
adverts that I had read countless times before.
I was alone on
the platform, but there was nothing unusual about that immediately after a
train had left. I expected other late travellers to join me in waiting for the
last train home. No one did, and that surprised me a little. But then, it was a
cold, wet night, and the streets had been less crowded than usual. And the time
of year was a relatively quiet one. The Christmas and New Year tourists had
gone and the spring and summer crush was yet to come.
And so I sat for
ten minutes on my own, enjoying that peculiar brand of eerie quietness that is
unique to a deserted underground station. I glanced at the board several times
until it read One Minute. Shortly
afterwards I heard the familiar singing in the lines that signalled the
imminent arrival of a train.
I felt the cool
air swelling gently out of the tunnel, and looked at the dark, inscrutable
opening from which my transport would shortly appear. I saw the headlights of
the approaching vehicle, and then the flat front of the cab came into view as
it entered the lighted platform. The brakes squealed as it came to a stop and I
began to walk towards the nearest door. It slid open and that familiar voice
rang out with its slow, mechanical tone.
Mind the gap
I moved eagerly
at first, but increasingly slowly as I saw what lay inside. A woman’s hand was lying
on the floor of the carriage just inside the door. The arm to which it was
attached was bare and culminated in a shoulder covered in green fabric. I saw
her head next, then the other arm and shoulder, and finally the whole body.
It was that of a
slim young woman, sprawled face down across the width of the carriage. She was
lying in what is ironically known as the recovery position. Her head was turned
in my direction and her eyes were open, but they had the glazed look of death
in them. I was struck by her long red hair, the colour of old gold, which lay
in crimped waves down the length of her back and stretched almost as far as her
waist. She was wearing a bright green, going-out sort of a dress made of some
shiny, silk-like fabric. It was sleeveless, and the hem finished several inches
short of her knees. Even in the crumpled state that her position forced upon it,
there was something sinuous about the way that it clung to her recumbent form.
I have since
thought it strange that my observation of such detail should have been so
complete, but the most abiding impression was the combination of colours. Her
rust-red hair clashed strongly with the bright green silk, and it was about to
be augmented and superseded by a much more vital version of its hue. As her
full form came into view, I saw a tide of liquid, full bodied redness flow from
her head towards the door. Soon it reached the edge of the carriage floor and
began to drip onto the line below.
The effect on me
was devastating. Blood in that quantity produces a sense of revulsion that is
difficult to describe. The feeling of nausea goes beyond the mere physical
desire to vomit; it produces a sense of inner weakness, as though the vital
energy that is keeping you conscious and upright is being drained away. That is
the feeling I shall forever associate with the combination of red and green.
As I stood alone
on the platform, staring at the pitiful, hideous sight before me, I heard the
voice break the silence again.
Mind the gap
My mind was
squirming in all directions, but my body felt too weak to move. The silence,
the stillness, the form of the dead girl and the pool of blood dripping mindlessly
onto the line had me transfixed. I looked into the carriage; it was empty. I
glanced around the deserted platform. I was the only witness, and the
combination of horror and unreality evoked a sense of desperation.
I thought later
of all the things I might have done. Why I didn’t, I don’t know. Something told
me that there was nothing I could do except stand and stare and take in every
detail. Or perhaps it was merely the enervating effect of all that blood. The
voice rang out a third time and startled me.
Mind the gap.
I recoiled as
the woman lifted her head and turned her lifeless eyes towards me. I saw the
contrast between the fresh, freckled skin on one side of her face, and the
squalid, gory mess on the other. Congealing blood stretched in random strands from
her cheek to the carriage floor as she held me with a dead stare for several
seconds.
I shuddered and
tried to raise the will to do something. Part of me stayed rational and assumed
that she was still alive and needed help, but some deeper instinct told me that
living people don’t have eyes like that. As the two parts of me struggled, she
opened her mouth and spoke quietly and calmly.
“Don’t follow me,”
she said.
The doors began
to slide shut as she uttered the words, and then the train moved off. As the
rear cab came into view I saw a man dressed in a black uniform, standing in the
window and looking back along the track. He seemed to be tall and unusually
thin. I gathered the strength to wave furiously at him, and pointed in the hope
that he would recognise my alarm. He appeared to look in my direction but
remained impassive. I watched him and the vehicle disappear into the blackness
of the northern tunnel and took the next obvious course of action: I made all
speed to call the police and tell them what I had witnessed. They told me to
stay where I was, much to the annoyance of the station staff who wanted to
close up and go home.
Two Metropolitan
Police officers arrived a few minutes later. They sat me down, took some personal
details and wrote a full statement which I signed. I conducted them to the spot
and they took a cursory look over the edge of the platform. I suggested that
someone should intercept the train at one of the stations further north. The
officer looked at me and nodded in a patronising manner. I felt stupid; it was
obvious that their control centre would already have arranged that. He told me
I could go; they would contact me again in due course.
I had to take a
taxi home and it cost me a small fortune, but it wasn’t the expense that kept
me awake all night. It was the persistent image of the green dress and the dark
gold hair. It was the memory of that disgusting red pool, unnaturally free and
spreading mindlessly in my direction. And it was the creeping sense of terror
at the sight and sound of a dead woman speaking to me. Or had she been alive
when she lifted her head? Was she still alive now? Had she been rescued by the
paramedics and taken to a hospital, or was she lying, face up this time, on a
mortuary slab somewhere, her bright green dress consigned to a bag marked Patient Property? I supposed I would
find out in due course.
Her enigmatic
instruction came back to me over and over again. What had she meant by “don’t
follow me?” The word “signal” came into my head. I began to see traffic lights
changing from red to green and back again, while the amber in the middle
recollected the colour of her hair. I kept hearing “red for danger, green for
safety; red for stop, green for go.” I
put some music on and tried to read, but to no avail. Everything kept
synthesising into images of green silk, red blood, flashing traffic lights and
the pale face of a talking corpse. I fell asleep on the sofa at seven o’clock
in the morning.
At midday I was
woken by a loud knocking on my front door. I teetered uncertainly into the hall
and opened it. The uniformed policeman introduced himself and asked if he could
come inside and have a word with me.
We sat down and
he began to address me in a noticeably curt and authoritarian tone. He told me
that the full length of the track within the station had been comprehensively
examined, but no trace of blood had been found; neither had they found anyone dead
or injured when the train had been intercepted at Goodge Street. There had been no blood
stains on the floor, and none of the other passengers had reported seeing anything
untoward. All the carriages had been subsequently taken out of commission and
examined thoroughly. There could have been no woman in the condition I had described
in any of them.
He told me that
wasting police time was a serious offence and that a report had been logged. I would
be prosecuted if there were to be any repetition. My action would be overlooked
on this occasion since I had no criminal record and they were prepared to give
me the benefit of the doubt. They would assume that I had been the subject of a
hallucination, and he said that I might be well advised to see a doctor.
My jaw must have
dropped visibly as he was telling me all this, and he became annoyed when I
protested that I had definitely seen what I had reported. He said that I should
be careful not to push my luck too far, and finished with a sarcastic remark suggesting
I be more conservative in what I chose to smoke.
He left and I resumed
my place on the sofa, trying to make sense of it all. I never did. I had taken no
drugs, nor had I ever been subject to hallucinations. I was as certain as I
could have been that I had seen what I had seen.
The strange
episode filled my thoughts for several days and maintained an unsettling effect
on me. Eventually it began to ease and only came to the fore again when I went
into tube stations or drove through traffic lights in the suburbs. Even that
wore off after a while, and the only legacy it left was the profound distaste I
had come to feel for the combination of red and green. My life moved on and I
left London a few years later, taking a new job
and settling into a new house in the north of England.
By then my
experience had become a distant memory that only cropped up as a favourite
anecdote among friends. I introduced it as simple ghost story, one to be added
to the many tales of ghosts, troglodytes and other mysterious beings that are
said to haunt the London Underground. I had come to think of it as a single
strange experience that would never be repeated. I was wrong.
Ten years after
the incident in the tube station – ten years and three months to be precise – it
happened again. The circumstances were very different, but the image was the
same.
It was May and I
was on holiday in Northumberland. Someone I met there, learning of my interest
in walking and bird watching, advised me to cross the border into Scotland and
make the short drive to St Abbs a little way up the coast. I was told that
there was a fine walk there, beginning on a spectacular coastal path that led
up to the airy heights of St Abbs Head where an Anglo Saxon princess had
established a Dark Age monastery. It
would afford the opportunity to see a wide variety of seabirds and enjoy some
wild coastal scenery, before finishing with a leisurely stroll along the shore
of a small loch.
It sounded
perfect. I drove up the A1 the next day, parked the car at the visitor centre,
and set off along the well worn path towards the impressive headland in the
distance.
The first part
of the walk was spectacular indeed. It was a calm, sunny day and the scenery
reminded me of the splendid coastline of Pembrokeshire. The path curved around
the top of a wide bay with cliffs rising at each end. The sheer faces of the
headlands gave way to jagged rocks at the bottom which stretched out into the
placid blue waters, forming small headlands and islands of their own.
To most people,
the sight would have been unequivocally beautiful. To me, however, the fact
that the cliffs were formed of a deep red sandstone clouded my perception of
them. Seeing them against the blue of the sea was fine, but the land that
stretched out in front of me and curved around the top of the rocks was the
unremitting light green of sheep-grazed grassland. The overall impression consisted
of that combination of colours which I had come to find so distasteful.
The sight did
not disturb me unduly though, and my enthusiasm for the walk was undiminished. Nevertheless,
I was glad to hurry on towards the stile that I could see crossing a fence at
the far end of the bay.
As I approached
it, my eye was caught by something black standing out against the red rocks and
blue sea down to my right. It was a cormorant standing on a group of rocks that
curved around to form one edge of a small inlet. I brought my binoculars to
bear and watched it for a while, marvelling at a sight that is rare for those
of us living a long way from the coast.
There is
something very particular about the cormorant. Its shiny, dark plumage and its
way of standing upright give it the air of something mysterious, as though it
belongs more to the dark world of death and funerals than the exhilarating freedom
of the open sea. The way it folds its wings down the length of its tall, slim
body suggests the wearing of a black cloak, and its small head, long neck and
narrow beak add further to the impression. As I watched it I felt that it would
be more at home riding pillion on a horse-drawn hearse. It was easy to see how
the belief had grown up that these statuesque birds are repositories for the
souls of drowned sailors.
Suddenly it
launched itself from the rock and dived headlong into the water. I knew that it
was unusual for cormorants to hunt that way, and took the binoculars from my
eyes to get a wider view of the pool. I was curious to see where it would surface,
but what I actually saw rising from the depths was not the cormorant. It was
something much bigger, something predominantly green in colour. Even at that
distance, it had the unmistakeable appearance of a human body.
A hand clutched
at my midriff and a cold thrill ran down the back of my neck. Ten years on from
the experience at the tube station, the emotional impact of that grisly event gripped
me instantly. It felt as though a man trap had been lying concealed all that
time, waiting for me to step into it again.
I lifted my
binoculars with a mixture of reluctance and morbid fascination. The magnified
view showed me the body of a woman floating face down in the water. Her hair
was the colour of old gold and washed lazily back and forth with the movement
of the swell. She was wearing a short, bright green, sleeveless dress that
clung to her form even more tightly than it had in the carriage that night. I
could not believe that she was anything other than the same woman – or ghost,
or hallucination, or whatever version of reality she belonged to.
My body tingled
with the shock, but she was further away this time and my mind stayed in
control. I remembered my feelings of disbelief and frustration on being told that
she could not have existed, and the benefit of hindsight suggested an obvious
course of action. I let my binoculars drop onto their straps and took the pack
from my shoulders.
There was a camera
in there with a choice of lenses, and this time I would get a picture to prove
it. I knew that I would have to fit a telephoto lens to get a decent close up,
so I pulled the camera from the bag and hurriedly unhitched the wide angle lens,
trying to keep a constant eye on the figure at the same time. The telephoto
zoom was in a case of its own, and my hand rummaged frantically among the confusion
of sundry items trying to locate it.
So far the
figure had continued to float face down, but then I saw a movement. It looked
as though it was raising one arm, and so I dropped the pack and grabbed the binoculars
again. The woman was just completing a roll onto her back. She lay still, her
arms floating at her sides and her hair continuing to wave in the swell like golden
seaweed. She would have looked beautiful had it not been for the ugly mass of
congealed blood on one side of her face, and a patch of darkness was spreading outwards,
discolouring the water.
Her eyes were
open as before and I saw her lips move, silently this time but only for a
moment. The words rose up to me, as though carried on the cold onshore breeze.
The voice was lighter than before, but the statement was still clear.
“Don’t follow me,”
it said again.
And then I heard
them repeated, much quieter and from the opposite direction, as though they had
floated on beyond me and echoed back from the distant landscape.
Almost
immediately the figure sank beneath the surface and was gone. I sat on the
grass, shocked at my second encounter with the mysterious woman. I felt frustrated
that I hadn’t been able to capture her appearance on film, and her message had
me bewildered.
How could I
follow her, and why would I want to? The first time I had seen her she had
disappeared into the darkness of an Underground railway tunnel, and the second
time she had sunk beneath the waves of the North Sea.
I had a mental impression of traffic lights again.
“Signals,” I
thought. “It must have something to do with signals.”
Was she warning
me of some approaching danger in my life? If so, what? Where should I not
follow her? Onto the Underground? Into the sea? Both? Did this mean that I
could never use the tube again, or swim in the sea, or board a seagoing vessel of
any kind? It didn’t seem such a big problem since I had no compelling reason to
go to London, I
had no expectation of embarking on any ferry trips or cruises, and I hadn’t
been swimming in the sea since my teenage days.
And who was she
anyway? Her physical appearance was certainly not that of the archetypal
guardian angel. Surely, such a being would present itself either in a form that
represented some sort of an ideal, or one that was disarmingly matter of fact.
This girl was neither. She was very striking, but not in a way that coincided
with any image of angelic identity that I could recognise.
But I could
think of no other explanation. I was convinced that the image of the girl and
her enigmatic instruction represented a warning about some sort of danger. It
seemed that I would have to spend my life being careful and looking out for the
signals, whatever they might be.
And there was
one other interesting little fact. I watched the inlet for some time after the
body sank, and the cormorant never did come back to the surface.
I continued with
the walk but my mind was elsewhere. My thoughts were entirely with the
mysterious, green clad figure and the enigma of those three words that she
seemed so determined I should hear.
My reaction to
the second appearance was different from what it had been the first time. I
felt less of a sense of shock; the image had become somehow more real. I had
put her first manifestation down to either a mental aberration or a localised
ghost. This second appearance, in such different circumstances, seemed to establish
her as something more substantial. But that only served to increase the sense
of gravity associated with her message. From now on, I would have to take it
more seriously and be on my guard.
Inevitably, the
two incidents receded to the back of my mind as time went by and I was glad they
did. It would have been intolerable to have them standing over me day in and
day out. But my dislike of the combination of red and green became more entrenched
and I was cognisant of the girl’s “warning” in situations where it might have
been appropriate.
I did go to London on a couple of
occasions and travelled everywhere on foot and by taxi. I also took the ferry
to Ireland,
but was careful to choose the shortest sailing and spent the whole time on the
upper deck close to a lifeboat. And I became cautious at traffic lights, just
in case there was an accident waiting for me there. There were no accidents, no
near misses, and no more sightings of the girl in green. None, that is, until
another ten years had passed.
I should have
recognised the set of coincidences. I was on holiday again, it was May and I
was back in Scotland.
I had been to the Highlands a couple of times since the business at St Abbs,
but had decided to try south west Scotland for a change. I had read that
it was quieter and contained many places of historical interest.
I was staying
for a few days at a B&B in Dumfries. When history
repeated itself and another casual acquaintance suggested a place of likely
interest, I might have made the connection at that point. But I didn’t. The
place my informant recommended was Caerlaverock
Castle, a fine medieval
building I was told, and just a few miles away near the Solway coast. Had I
seen a photograph of it, alarm bells might have rung. But I hadn’t. I was advised
to go the following day as there was a “medieval event” planned for the
afternoon. It sounded like fun and I decided to take the advice, but I felt
that I should go early so as to see the place in comfort before the crowds
gathered.
It was another fine,
sunny morning when I took the B road that runs south from the town towards the
Solway coast. After several miles there is a right turn onto a lane that runs
into the castle grounds. I pulled into the parking area and saw the
magnificent, medieval structure standing solid and proud in front of me.
And then the
alarm bells rang. Caerlaverock is a very impressive building. It is unique in
being the only castle in Britain
to have been built to a triangular plan. The gatehouse at the apex of the
triangle is almost complete, as are most of the walls on two of the sides, and
it has a moat that still holds water. Its most impressive feature, however, is
its colour. It is a solid, indisputable red. It seemed to me to have been built
from the same red sandstone of which the cliffs at St Abbs are composed. And it
stands on a grassy mound within a large, green field.
I looked around
the car park nervously. The weather was fine and hot, but it was a little early
in the day for the tourist traffic and there was no sign of any event being set
up. There was only one other car parked there and I assumed that it probably
belonged to whoever was on duty in the nearby gift shop. I could hardly fail to
be concerned, however, that it was green and had a red sticker in the back
window advertising some commercial radio station. I saw that there was a furry
toy and a woman’s umbrella on the rear parcel shelf.
And then I
noticed the flock of black crows flying around the battlements at the top of
the gatehouse. I knew that crows were associated with death in old folklore. I
sensed danger; the signals could hardly have been more apparent. I decided to
leave, but had second thoughts almost immediately for I knew that the workings of
fate are impossible to call. Suppose I were to drive back out and be involved
in a serious accident, something I would have avoided had I stayed put.
What does one do
in that situation? I sat in the car and thought for a while. I realised that
every moment I sat there was changing my life path, imperceptibly perhaps, but
possibly enough to put me in the wrong place at the wrong time.
I decided that
there was only one sensible option: carry on as though it were all just a
coincidence and do all the same things that I would have done anyway, but with due
regard for increased caution. I climbed out of my car, locked it and went over
to the gift shop to pay my admission fee. I asked the young woman if the green
car was hers.
“No,” she said. “I
live just along the road. I walk to work.”
I asked her what
time the medieval event started.
“That’s not
today,” she said. “It’s coming on Thursday.”
She pointed to a
poster on the wall. Today was Tuesday. I’d been given the wrong information and
that rekindled my concern. Had I been directed here on the wrong day for a
reason? Should I go away again? The same argument presented itself: the
inscrutable nature of fate is such that there is no point in trying to second
guess it.
And so the
solution would have to be the same. I asked myself what I would have done had
there been no issue with red rock and green grass. I would have decided to see
the place today while it was quiet and come back on Thursday for the event. As
I had no itinerary planned for the week, that’s what I settled on doing.
I made the short
walk across the field and approached the wooden bridge that led over the moat to
the gatehouse. I stopped to admire the architecture for a while, and then
watched the crows as they circled, squabbled and flew in and out of the many
small openings in the walls. Being closer, I recognised them as hooded crows,
and knew of their preference for nesting in old buildings.
Still they made
me feel uneasy, but I stepped onto the bridge to make my way inside. Before I
was half way across, I stopped. A figure had appeared in the entrance and stood
looking at me. It was the figure of a young woman wearing a short summer dress
- a bright green dress made of a silky fabric. She had long red hair, the
colour of old gold, which dropped in crimped waves to some point below her
shoulders. Her complexion was pale and freckled.
She was
identical to the woman in my visions, but with two obvious differences: there
was no blood this time and she was not lying down. She was standing, large as
life, in front of me with a startled and fearful look in her eyes. We stood looking
at each other for several seconds, our eyes locked and each open mouth a mirror
image of the other. And then she moved quickly back into the confines of the
building and disappeared.
A cold thrill of
trepidation was running down my spine and I stood still for a few minutes,
gathering my thoughts. This woman did not have the look of a vision about her;
she was real flesh and blood. Furthermore, she could probably solve the mystery
that had been hanging over me for twenty years. I decided I had to talk to her.
I went inside
and looked around. She was nowhere to be seen, but there were many nooks and
crannies where she could have been hiding, as well as several doorways with
steps leading to higher levels. I wondered why she would want to hide from me.
Was it just a natural nervousness at being alone with a male stranger in a place
where she might be vulnerable to attack, or was there more to it?
I walked slowly
around the inner courtyard, checking the many recesses and apertures but
without success. I completed the circuit and returned to the gatehouse
entrance. I looked across the moat towards the car park and saw that the green
car was still there. It seemed certain that it was hers, and I decided that she
must still be somewhere in the vicinity.
I thought of
driving my car out of the car park and returning on foot to lie in wait for
her, but that seemed both insensitive and risky. Heaven knows how she would
react if I suddenly appeared from the bushes and accosted her. I thought of
climbing the various sets of steps to see if she had taken refuge in one of the
towers, but that would have allowed her to make her escape while I was in the
process of possibly climbing the wrong one. I decided to stay in the courtyard and
wait for her to reappear. She would have to come down eventually. I settled
myself in a shaded spot and prepared for a long wait.
Half an hour
passed and several other groups of visitors arrived. I hoped that their
presence might persuade the girl to come out of hiding, and I was partly right.
I saw a movement in my peripheral vision, in one of the doorways that had steps
beyond them. I deliberately avoided looking in that direction, but had the
impression of a pale face looking briefly out and the merest flash of something
green. And then it disappeared again. She had obviously seen me and gone back
into hiding.
I knew that what
I had to do next would be difficult, but I had to do it. I walked across the
courtyard and climbed the circular stone staircase. As my head came level with
the floor at the top of the tower, I saw her standing on the far side, pressed
against the wall. Her face was pale, her eyes full of fear and her breathing
heavy. She looked as though she was about to scream and I spoke quickly to reassure
her.
I explained that
I meant her no harm, that I just wanted to talk to her to try and solve a
mystery that had been plaguing me for a long time. I said that I wouldn’t come
any closer and sat on one of the steps as the only gesture I could think of to
put her at her ease.
She didn’t seem
to be in any mood to listen. She had the fretful look of a cornered bird whose
whole attention is taken up with searching for a means of escape. There was none,
since I was blocking the only exit from the roof. And so I began my
explanation.
I told her the
whole story from the beginning in as much detail as I could remember. And she
did listen, suspiciously at first but at least attentively. As I talked, I saw
her expression change gradually from one of fear to one of surprise. By the
time I had finished she was considerably more relaxed and shaking her head in
amazement. Eventually she spoke. Her voice sounded exactly the same as I
remembered hearing it on the tube station.
“God,” she said,
“that’s creepy. That’s really creepy.”
She was staring
at me with an intense frown and went silent for a few seconds. Then she spoke
again.
“OK,” she said
“I believe you. I’ve got to believe you, I can’t not do. I’ll tell you my side
of the story now, shall I?”
It was my turn
to be surprised. It hadn’t occurred to me that there might be any “her side of
the story” to tell. She continued.
“The reason I
was so afraid of you when I saw you on the bridge was because I’ve seen you
twice before - in two horrible, vivid nightmares. And this is the weird bit,
the first happened when I was very young, about five, so it would have been
about twenty years ago. You wouldn’t think a child of that age would remember a
dream so well, would you? But it was so horrible. There’s no way I could forget
it.
“I dreamt I was
on some sort of a train on my own. I was frightened because there was nobody
else in the carriage. I was desperately looking for my parents, but they were
nowhere to be seen. It was dark outside the windows, but then it grew lighter
and I could feel the train slowing down.
“I went to the
door and it opened. I looked out and saw that the train had stopped in what
looked to me like a big room. The walls were covered with green tiles and there
was a big red circle on the wall opposite. It bothered me later when I first
went on a tube journey and saw the same red circle on the station walls. I
realised that what I had thought was a room was actually a tube station.
“It was deathly
quiet and there was nobody about. Then I saw a black shape on a seat at the far
end of the platform. It terrified me because I felt that it was something evil
that was going to hurt me. It stood up and took the form of a man with a long
black cloak. He walked towards me and I wanted to run away, but I couldn’t; I
was too frightened to move. As he got closer I could see his face clearly –
your face, I swear it. It was so clear and I remember it like it was yesterday.
“He came up to
me, grabbed my arms and forced me down onto my stomach. Then he started
smashing my head against the floor of the carriage, and each time he did, he
shouted out ‘mind the gap’ in a horrible voice. I saw blood streaming away from
my head and running out of the carriage. And then I woke up screaming. What do you
think of that?”
I didn’t know
what to think. The girl’s story was either a complete fabrication, brilliantly constructed
on the spur of the moment, or it made the most astonishing adjunct to my own.
She sounded genuine though, and she must have recognised the equally genuine
look of astonishment on my face.
“What about the
second?” I asked.
“Well,” she
replied, “amazingly enough, that was about ten years later. I can be sure of
that date because I remember it was the night of my fifteenth birthday. I’d
been to the swimming baths that day with some friends and I assumed that was
where the dream had come from.
“In that one I
was swimming in a calm blue sea with tall red rocks on three sides. I wanted to
climb out but couldn’t – the rocks were too steep. I felt panicky and decided I’d
need to swim out to sea in order to find somewhere to come ashore. I was
hesitant because I didn’t know how deep or rough it might be further out, but I
had no choice.
“I started to
swim and saw something black coming towards me. It veered to the right and landed
on one of the red rocks, and I saw that it was a big black bird that stood upright
- probably one of those... what did you call them?”
“Cormorants.”
“Right, probably
a cormorant. Anyway, it frightened me and I wanted to get away from it. It
watched me for a bit and I stared back, wondering what it was going to do. Then
it flew into the air and came towards me again. I swam in the opposite
direction towards the rocks on the other side of this sort of pool I was in. It
flew over my head and landed on them before I got there. Then it turned into
the same man that I’d seen in the first dream – you again.
“I turned and
swam away from him, terrified that he was going to attack me like he had in the
tube station. I heard him laugh and call out ‘You can’t get away from me. I’ll
follow you wherever the rocks are red.’ That was the bit I particularly
remember: ‘wherever the rocks are red.’ It seemed a really strange thing to say
and I’ve had a bit of an aversion to red rock ever since.
“Anyway, I
reached the other side but he was already standing there, waiting for me. He
grabbed me and started to bang my head against the rocks until I was dizzy.
Then he let me go and I slipped back into the sea. I saw the blood oozing into
the water, and then everything went black and I woke up.
“Now can you see
why I was so afraid when I saw you? I’d always thought the nightmares were just
some sort of deep fear being played out, though I could never work out where
the ‘red rocks’ business came from. Then I came here today, saw the colour of
the building and those big black birds flying around and felt a bit uneasy.
Suddenly, I walk out of the place and there’s my nightmare, large as life, standing
on the bridge in front of me with nobody else in sight. I got the fright of my
bloody life, I can tell you.”
We were both
silent for a while, trying to come to terms with the amazing coincidence of
experiences. Then I spoke.
“God knows what
we’re supposed to make of it,” I said. “It’s pretty incredible isn’t it? We
seem to have had some sort of psychic link for twenty years, but why, and what
it all means, I can’t begin to guess. I don’t like it though. I’ve spent the
last twenty years thinking that you were some sort of guardian angel, warning
me of some danger, but now I’m wondering whether it might have been the other
way round. Here we are face to face, you’re dressed exactly as you were in the
visions, and we’re on top of a building made of red sandstone.”
“And you
followed me up here,” she said. “According to you, I told you not to follow
me.”
“I know,” I
replied. “I’ve just realised that myself. I didn’t think of it as following you
at the time. I’d got it into my head that ‘following’ was some sort of oblique
reference to not using the tube or taking a sea journey or something. When is
your birthday, by the way?”
“That’s another
strange thing,” she said. “It was yesterday, the sixteenth.”
I couldn’t
remember exactly, but 16th of May would have been about the time that I saw the
vision in the sea at St Abbs.
“So what do you
suggest we do?” she asked.
“I think you
should stop leaning against that wall for a start,” I replied. “It’s a long
drop and you’re making me nervous. Then I suppose we’d better get out of this
building - and be very careful on the steps and crossing the moat.”
She nodded and
moved towards me as I got up.
“I’ll go first,”
I said “and you can follow. If you do stumble or anything, you’ll have me to
grab onto. If you’re ready, let’s go.”
I started the
descent, looking around to see that she was following. We were both holding the
handrail tightly and treading carefully on the treacherously uneven stone
steps. We followed the circular progression until we reached a point where
there was a gap in the wall leading to another outside platform. That one was
barred with a metal grill. Obviously it was unsafe and the grill was there to
stop people climbing out onto it. The word “gap” flashed into my mind, followed
by the stentorian tones of the Underground announcement.
And then a
hooded crow appeared suddenly in the opening and flew directly at me. I was
startled because I knew that birds rarely attack humans. I also knew that they
will sometimes do so when they are protecting their territory. Such attacks are
usually token affairs and there’s rarely any harm done. No doubt this one was
concerned for a nest that it probably had nearby.
I waved my right
hand at it whilst keeping my left on the guardrail. I stopped while I was
fending it off for fear of losing my footing. The bird left me and flew up to
my companion, flapping its wings and clawing at her mass of red hair.
She was obviously
terrified. She cried out, ducked her head and waved both her hands about wildly
in an attempt to ward off the angry bird. As I started to move up to help her
she stumbled on the steps and fell forward and to the side of me. I grabbed at
her but the action only caused me to stumble too, and the smooth material of
her dress slipped through my fingers. She went tumbling down the circular
staircase as I scrambled back to my feet nursing a painfully grazed knee. The
pain was intense for a few seconds and I rubbed it frantically, trying to force
away the temporary paralysis that kept me hopping on one leg and holding the
guard rail with my free hand. As soon as I was able, I limped after her as fast
as I could manage.
It seemed that
the nightmares and visions had turned into reality. This, it seemed, was the
warning that had twice been given to me, and which I had ignored when the
foretelling had been brought to fruition. I had no doubt that I would find her
at the bottom with blood pouring from a head wound.
A cold sense of
horror gripped me as I negotiated the awkwardness of the curved stairs. I felt
an acute sense of guilt and stupidity. I had done exactly what she had twice
told me not to do and this was the result. At that moment I was certain she
would be lying dead at the base of the steps, just as she had been in the
carriage twenty years earlier, and a sickening weight settled heavily on my
shoulders. I felt like a murderer, with all the horror of remorse and helpless
finality that comes with it.
But I was to be
spared that terrible responsibility, at least for the time being. As the floor came
into view, my sense of relief was unbounded. She wasn’t there. She must have
survived the fall and gone outside to recover. I hurried out into the courtyard
and looked around. She was nowhere to be seen.
The feeling of
relief turned to confusion. Even slowed by my limp, I couldn’t have been more
than a dozen seconds behind her. She would have been dazed at least, even if
she had escaped injury. There was no way that she would have had time to
disappear from view in the large courtyard. And why would she want to anyway?
An elderly
couple were wandering lazily by and they looked at me with evident curiosity. I
asked them if they had seen a girl come out of the door. They looked at each
other and shook their heads.
“How long have
you been here?” I asked.
The man shrugged
his shoulders and said:
“A few minutes,
I suppose - five or ten.”
This was
incomprehensible. I went to the gatehouse and looked across towards the car
park. The green car was gone. It seemed that my third encounter with the red
haired girl had been another vision after all. It hardly seemed possible, but
there was no other explanation.
I limped across
the bridge, wondering what the latest encounter could mean. It was obvious that
there was little comparison between the first two and this one. The earlier
experiences had been of short duration. There had been distance between us, and
the only contact had been the simple command not to follow her. She had appeared
and disappeared quickly, and there had been a distinctly dreamlike quality
about them.
This latest
incident had been convincingly real. I had seen her in several places over a
much longer period of time. There had been a substantial element of interaction
between us and I had watched her follow me down the steps. She had even given
me some real information. She had told me that her birthday was yesterday, the
sixteenth.
I had a sudden
thought. It was an outlandish possibility, but one that I felt inclined to
check. I didn’t know what the date was, but there was a simple way of finding
out. I went back to the gift shop and looked again at the poster advertising
the medieval event.
“Thursday 17th
May” it said in large print.
So today was the
fifteenth. Could the girl have been wrong about it having been her birthday yesterday?
It didn’t seem likely. Could the fabric of time have been engineered somehow to
give me a final warning, a chance to see how the tragic denouement to this
strange relationship would be enacted? Who knows? It was the only possibility I
could come up with. And, if that was the case, who or what had engineered it?
My earlier
theory that either the girl or I were cast in the role of guardian angel to the
other was coming under further scrutiny. Now it seemed possible that a third
party might be involved, someone or something watching over one or both of us
to keep her from harm and me from the terrible burden of guilt.
I felt a sense
of profound gratitude and hobbled back to my car, happy that my sore knee was a
small price to pay for such salvation. But there was one indulgence I couldn’t
resist: I had to test my theory, and that would mean going back to the castle
on Thursday. I knew it could be a dangerous thing to do, but forewarned is
forearmed and I would be careful.
I drove out
there late on Thursday morning, but I didn’t take my car into the car park. I
left it instead in a farm gateway further along the road and walked back. There
was a small queue of traffic in the lane leading into the castle grounds and an
attendant directing it to the available spaces.
I walked past
the line of waiting vehicles and surveyed those that were already settled in the
main parking area. The green car with the red sticker occupied exactly the same
spot as it had two days earlier. I approached just close enough to see that
there was a furry toy and a woman’s umbrella in the back window. That was
evidence enough.
I returned to my
own car and drove off to spend the day on the beach at Rockcliffe, a little way
along the coast. I was content that a tragedy had been averted and hopeful that
my contact with the girl in the green dress was now at an end. It wasn’t, not
quite.
When I drove back
to the town later, I got held up in a line of traffic waiting to go through a
set of lights at a busy junction. I smiled at the thought that traffic signals
were now as innocuous to me as they were to everybody else.
The line of cars
was blocking a side road on the left and, every so often, one of the cars in
front of me would leave a gap to allow vehicles to turn right out of it. When
my turn came to approach the side road, a green car approached the junction
with its right-hand indicator flashing. It was the same model as the one in the
castle car park and I suspected that it was the same one.
I couldn’t see
the driver because of the reflections on the windscreen, but flashed my lights
to offer right of way. The car edged forward slowly, checking for traffic
coming the other way on the main road. As the vehicle stopped briefly in front
of me, I saw the driver clearly. She looked in my direction, smiled and lifted
a hand in acknowledgement. It was the same girl. I felt suddenly nervous.
“Gap,” I
thought. “She’s coming through a gap.”
I feared a
collision, but she was cautious enough and waited until the way was clear. As
she started to pull across onto the other side of the road, she waved at me
again.
“You’re welcome,”
I said out loud.
My driver’s side
window was open and she looked at me as she started to drive past. No doubt she
hadn’t seen me clearly either, for I saw her expression change as she got a
good view of my face through the open window. I saw her mouth fall open and a
look of amazement come into her eyes. In the same instant I couldn’t resist
adding
“Mind the gap.”
The words were
said on impulse and in a mood of misplaced levity, and I realised immediately
how foolish it had been to say them. It struck me that it might have put the
fear of God into her. She had just come face to face with her nightmare and I
had used the same words as the man on the tube station.
But then I
thought that she might have been as aware as I was of our meeting on the battlements.
Did that make sense, I wondered? Surely not. The events of Tuesday had
presumably prevented the real meeting taking place on Thursday. That was the
whole point, wasn’t it? I had no idea. The logic of time shifts was already
becoming too convoluted for my limited brain.
I decided to
turn the car around in the side street and go after her. I needed to reassure
her that she no longer had anything to fear. Fortunately, I came to my senses in
time. I spoke out loud again.
“Hang on,” I
said. “Don’t even think of following her.”
The traffic in
front of me moved forward and I went with it. The young woman and I were going
in opposite directions and I could wish for nothing better than that.
* * *
The incident at
Caerlaverock happened three years ago, and I have encountered no red haired
women in green dresses since then. There is, however, something bothering me.
I had come to
think of the first two dreams and visions as warnings, and of the incident at
the castle as the intervention of some mystical and benevolent third party. Now
I’m not so sure, for even my limited logic tells me that such an explanation
doesn’t fit the facts.
If the two of us
had never experienced those dreams and visions, there would have been no issue
between us; we would have been total strangers to one another. Even if our
paths had crossed at Caerlaverock, she would have had no reason to escape from
me, nor I any reason to follow her. There would have been no bird, no fall and
nothing to be warned about in the first place. The relationship between cause
and effect has become confused, seemingly locked in a syndrome of self-denying
logic.
It makes me uneasy
to think that there might a darker explanation. Perhaps the two of us are mere
pieces in some diabolical game being played out on the board of fate. I wonder
who or what would play such a game. Could it be the man in the black cloak who
seems to favour the form of a cormorant?
I see him sometimes, or at least what I take
to be a representation of him. A tall, black, hooded figure stands motionless
in a still and stagnant pool of red, viscous liquid. This unholy pond has the
appearance of a castle moat, for I can see walls built of sandstone rising from
the far side.
One arm of the
figure is holding something aloft, like a trophy. It appears to be a piece of
bright green fabric hanging limp in the lifeless air. Drops of something red
fall at uneven intervals from the gathered hem to augment the fiendish flood
below. The only sound is the occasional “plop,” so dull that it smothers itself
before it has the honour to become an echo. I wake up with a knot of anxiety
sitting in my stomach and feel reluctant to go back to sleep.
If the girl and
I are part of some devilish sport, would there be any way of escaping our
unwitting participation? Probably not. We would have to go along with it and
play our own parts to the best of our abilities, watching out for the signals
and taking evasive action when necessary.
I have a brooding
suspicion that the game is not over yet. I fear that there may be another test
coming, another opportunity to burden myself with unassuageable guilt. I think
I can probably relax until the next point on the apparent ten year cycle comes
around. And then I must be careful not to follow her, or life just might become
interesting again.
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